Forrest Of Dean Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Eubie Blake and his Shuffle Along Orchestra; Eubie Blake Trio; Blind Willie Dunn and his Gin Bottle Four; Blind Willie Dunn and Lonnie Johnson; Blue Grass Foot Warmers; The Blue Rhythm Orchestra; Blue Ribbon Syncopators; Muggsy Spanier and his V-Disc All-Stars; Reb Spikes Club Forty Fives; Reb Spikes Majors and Minors; Spikes' Seven Pods of Pepper Orchestra; Pedro Stacholy's Cuban Jazzband; Blythe and Burton; Blythe and Clark; Jimmy Blythe and his Ragamuffins; Blythe's Owls; Blythe's Sinful Five; Blythe's Washboard Band; Blythe's Washboard Ragamuffins; Jesse Stafford and his Orchestra; Mary Stafford and her Jazz Band; State Street Ramblers; Blue Steele and his Orchestra; Joe Steele and his Orchestra; James Boucher et son Jazz; Bogan's Birmingham Busters; Eric Borchard's Atlantic Jazz Band; Eric Borchard's Jazz Band; Borbee's Jass Band; Boston Orchestra; James Boucher et son Jazz; Stein's Dixie Jass Band; Carlyle Stevenson's Bon Ton Orchestra; Carlyle Stevenson's El Patio Orchestra; Sammy Stewart and his Orchestra; Sammy Stewart and his Ten Knights Of Syncopation; Perry Bradford and his Gang; Perry Bradford's Jazz Phools; Brady's Clarinet Band; Arthur Briggs' Savoy Syncopators Orchestra; Mart Britt and his Orchestra; The Broadway Bellhops; Harvey Brooks Quality Four; Stomp Six; Stompin' Six; Jesse Stone and his Blues Serenaders; St. Louis Levee Band; Charley Straight's Orchestra; Bessie Brown and "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Blues, passed down from generation to generation through an "oral" tradition, originally acted as a functional music offering African-Americans a vehicle to convey their daily experiences. Early forms of the blues include the "field holler," which allowed laborers in the fields to keep in contact with each other, while the "ring shout" was used for dancing. W.C. Handy, known as the "Father of the Blues," published his "Memphis Blues" in 1912, becoming the first song to include "blues" in the title. Handy went on to write other blues classics including "Beale Street Blues," "Yellow Dog Blues," and "St. Louis Blues."

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