Worcester Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Henderson's Club Alabam Orchestra; Henderson's Dance Orchestra; Rosa Henderson accompanied by the Virginians; Rosa Henderson accompanied by Fletcher Henderson's Jazz Five; Frank Westphal and his Rainbo Orchestra; Frank Westphal and his Orchestra; Whistler's Jug Band; Paul Whiteman and his Orchestra; Paul Whiteman's Rhythm Boys; Rosa Henderson accompanied by Fletcher Henderson's Orchestra; Rosa Henderson accompanied by Fletcher Henderson's Club Alabam Orchestra; Rosa Henderson and the Choo Choo Jazzers; Rosa Henderson accompanied by the Kansas City Five; Rosa Henderson accompanied by the Three Jolly Miners; Rosa Henderson accompanied by the Kansas City Four; Rosa Henderson accompanied by the Three Hot Eskimos; White City Jazzers; Whiteway Jazz Band; The Whoopee Makers; Zack Whyte and his Chocolate Beau Brummels; Herb Wiedoeft's Famous Orchestra; Rosa Henderson accompanied by the Four Black Diamonds; Henderson's Happy Six Orchestra; Eddie Heywood and his Jazz Six; Edna Hicks accompanied by Fletcher Henderson's Orchestra; Edna Hicks accompanied by Lovie Austin and her Blues Serenaders; Edna Hicks accompanied by Porter Grainger's Sawin' Three; Art Hickman and his Orchestra; Herb Wiedoeft's Cinderella Roof Orchestra; Herb Wiedoeft and his Orchestra; Wiedoeft-Wadsworth Quartet; Clarence Williams and his Band; Clarence Williams' Blue Five; Art Hickman's New York London Five; Hightower's Night Hawks; Alex Hill and his Orchestra; Alex Hill and his Sepians; Earl Hines and his Orchestra; Hitch's Happy Harmonists; Hollywood Shufflers; Clarence Williams' Blue Seven "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Piano ragtime began to be published in the late 1890s. It was immediately successful and subjected to various kinds of popularization, almost all of which have continued. It was (and is) sometimes played fast and shallow, with deliberately still rhythms, on a jangling prepared piano -- so much so that it is difficult to convince some listeners that the early ragtime composers were highly gifted melodists and serious craftsmen who produced an admirable body of musical art.

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