Worcestershire Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Fats Waller and his Orchestra; Halfway House Orchestra; Fred Hall's Jazz Band; Fred Hall and his Orchestra; Fred Hall and his Sugar Babes; Al Hammett and his Ambassadors' Orchestra; Johnny Hamp's Kentucky Serenaders; Johnny Hamp and his Orchestra; Fats Waller and his Rhythm; Fats Waller his Rhythm and his Orchestra; Thomas Waller with Morris' Hot Babies; Waring's Pennsylvanians; Warner's Seven Aces; Henry Halstead Orchestra; Fred Hamm and his Orchestra; Fred Hamm and his Collegians; Handy's Orchestra Of Memphis; Handy's Memphis Blues Band; Handy's Orchestra; W.C. Handy and Orchestra; Bennie Washington's Six Aces; The Washingtonians; Gilbert Watson and his Orchestra; Joe Watson and his Green Mill Orchestra; Ethel Waters accompanied by Albury's Blue and Jazz Seven; The Happy Six; Lil Hardaway's Orchestra; The Harlem Footwarmers; Harlem Hot Chocolates; Harlem House Rent Stompers; Harlem Trio; Dave Harman and his Orchestra; Ethel Waters' Jazz Masters; Ethel Waters accompanied by her Ebony Four; Ethel Waters accompanied by Lovie Austin's Blues Serenaders; Ethel Waters accompanied by Will Marion Cook's Singing Orchestra; Ted Weems and his Orchestra; Monk Hazel and his Bienville Roof Orchestra; Lucille Hegamin and her Blue Flame Syncopaters; Lucille Hegamin and her Bang-Up Six; Lucille Hegamin and her Dixie Daisies; Lucille Hegamin accompanied by Clarence Williams and Band; Lucille Hegamin accompanied by Wooding's Society Entertainers; Edmonia Henderson accompanied "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Little is known of the early development of Ragtime, however it is clear that it surfaced after years of evolution in the latter part of the nineteenth century. Ragtime has been traced to minstrel shows and cakewalks as early as 1895. The cakewalk, originated in the Caribbean’s, arrived in the United States as a syncopated music form based on a march, the polka and a two-step. Once Ragtime emerged as a unquiet musical form, it became a strong base for the music that lay ahead of it, jazz.

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