Banbury Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Duke Ellington and his Orchestra; Elgars Creole Orchestra; Empire Jazz Band ; Wally Erickson and the Coliseum Orchestra; Hociel Thomas acc. by Louis Armstrong's Jazz Four; Millard G. Thomas and his Chicago Orchestra; The Three Deuces; The Three Jacks; The Three Virginians; Europe's Society Orchestra; Jim Europe's 369th Infantry Hell Fighters Band; Feathers and Frogs; Douglas Finnell and his Royal Stompers; Roberto Firpo Orquesta Americana; Fisbach's Charleston Orchester; The Five Harmaniacs; Andy Tipaldi and his Orchestra; Ben Tobier and his California Cyclones; John Tobin's Midnight Serenaders; Tram, Bix & Lang; The Travelers; The Five Musical Blackbirds; Jay C. Flippen and his Gang; Troy Floyd and his Plaza Hotel Orchestra; Troy Floyd and his Shadowland Orchestra; Gabriel Formiggini mit seinem Orchester; Four Hot Hounds; Fowler's Washboard Wonders; Alphonso Trent and his Orchestra; Triangle Harmony Boys; Trocadero Melody Boys; Charlie Troutt's Melody Artists; Frankie Trumbauer and his Orchestra; Fowler's Favorites; Frankie Franko and his Louisianians; Arnold Frank and his Roger's Cafe Orchestra; Bud Freeman and his Orchestra; Eddie Frazier and his Plantation Orchestra; The Friar's Society Orchestra; Frisco Jass Band; Tub Jug Washboard Band; Tusschinsky's Berceley's Jazz Band; Sophie Tucker accompanied by Miff Mole's Molers; Al Turks's Orchestra; Al Turks's Princess Orchestra; Julian Fuhs Follies Band; Julian Fuhs und sein Orchester; Fulcher's Dance Trio; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

As rural music moved to the city and adopted new instruments, the polyphony typical of the African- American singing tradition found an expression in the style now identified as Early New Orleans Dixieland. It differed from the later Chicago Dixieland and the even later revival Dixieland in its instrumentation and rhythmic feeling. These first groups used a front line of a cornet, clarinet, and a trombone. The rhythm section was made up of banjo, tuba, and drums. The origin of these instruments was in the marching bands reflected the need to move while playing.

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