Buckinghamshire Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Jelly Roll Morton and his Orchestra; Jelly Roll Morton's Incomparables; Jelly Roll Morton's Jazz Band; Jelly Roll Morton's Jazz Trio; Jelly Roll Morton's Kings Of Jazz; Harlem Hot Chocolates; Harlem House Rent Stompers; Harlem Trio; Dave Harman and his Orchestra; Monk Hazel and his Bienville Roof Orchestra; Lucille Hegamin and her Blue Flame Syncopaters; Lucille Hegamin and her Bang-Up Six; Jelly Roll Morton's New Orleans Jazzmen; Jelly Roll Morton's Red Hot Peppers; Jelly Roll Morton's Six/Seven; Jelly Roll Morton's Steamboat Four; Jelly Roll Morton's Stomp Kings or Jazz Kids; Lucille Hegamin and her Dixie Daisies; Lucille Hegamin accompanied by Clarence Williams and Band; Lucille Hegamin accompanied by Wooding's Society Entertainers; Edmonia Henderson accompanied by Lovie Austin and her Blues Serenaders; Edmonia Henderson accompanied by Tommy Ladnier and his Orchestra; Fletcher Henderson and his Sawin' Six; Fletcher Henderson Orchestra; Jelly Roll Morton Trio; Thomas Morris and his Orchestra; Thomas Morris and his Seven Hot Babies; Thomas Morris Past Jazz Masters; Morrison's Jazz Band; Henderson's Club Alabam Orchestra; Henderson's Dance Orchestra; Rosa Henderson accompanied by the Virginians; Rosa Henderson accompanied by Fletcher Henderson's Jazz Five; Rosa Henderson accompanied by Fletcher Henderson's Orchestra; Rosa Henderson accompanied by Fletcher Henderson's Club Alabam Orchestra; Rosa Henderson and the Choo Choo Jazzers; Curtis Mosby and his Dixieland Blue Blowers; The Bennie Moten's Kansas City Orchestra; Musical Stevedores "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

The term Afro-Latin covers a huge variety of music, resulting from the combination of elements of African styles with the Spanish, Portuguese, and even French cultures transplanted to South and Central America. The blend was achieved earlier and more thoroughly than any such hybrid in North American music before the 1970s - indeed, watered-down South American music was being successfully exported to the USA (and Europe) from the time of the tango in the l910s.

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