Croydon Quartets

Jazz quartets in Croydon can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Clarence Williams and his Band; Clarence Williams' Blue Five; Clarence Williams' Blue Seven; Clarence Williams and his Bottomland Orchestra; Clarence Williams' Jazz Kings; Lanin's Jazz Band; Lanin's Roseland Orchestra; Sam Lanin and his Orchestra; Lanin's Red Heads; Lanin's Southern Serenaders; Sam Lanin's Troubadours; George E. Lee and his Novelty Singing Orchestra; Clarence Williams' Jug Band ; Clarence Williams' Novelty Band; Clarence Williams' Novelty Four; Clarence Williams Trio; Clarence Williams and his Orchestra; Julia Lee accompanied by George E. Lee and his Novelty Singing Orchestra; Miss Lee accompanied by her Jazz Boys; Ruth Lee accompanied bySpikes Seven Pods Of Pepper Orchestra; Levee Serenaders; Noah Lewis and his Jug Band; Phillip Lewis and his Dance Orchestra; Ted Lewis and his Band; Clarence Williams' Stompers; Clarence Williams' Washboard Band; Clarence Williams' Washboard Five; Clarence Williams' Washboard Four; Fess Williams and his Joy Boys; Lewitsch Tanzorchester; Sam Liberman Jazz Band; Lil's Hot Shots; Donald Lindley and his Boys; Jack Linx and his Birmingham Society Serenaders ; Little Ramblers; Lomuto Jazz Band; Fess Williams and his Royal Flush Orchestra; John Williams' Synco Jazzers; John Williams' and his Memphis Stompers; Leona Williams and her Dixie Band; Ralph Williams and his Rainbo Orchestra; Guy Lombardo and his Royal Canadians; Lopez and Hamilton's Kings of Harmony Orchestra; Vincent Lopez and His Hotel Pennsylvania Orchestra; Vincent Lopez and "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Avant garde, a term used synonymously in the 1960s with "free" jazz, first gained recognition in 1958 through saxophonist Ornette Coleman, as well as other pioneers including pianists Cecil Taylor and Sun Ra. The avant garde challenged the listener by allowing the musician to choose his own musical path rather than follow the traditional approaches to which jazz musicians had previously adhered.

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