East Sussex Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Fletcher Henderson Orchestra; Henderson's Club Alabam Orchestra; Henderson's Dance Orchestra; Rosa Henderson accompanied by the Virginians; Tennessee Ten; Tennessee Tooters; Thelma Terry and her Playboys; The Texas Blue Destroyers; Frank Teschemacher's Chicagoans; Rosa Henderson accompanied by Fletcher Henderson's Jazz Five; Rosa Henderson accompanied by Fletcher Henderson's Orchestra; Rosa Henderson accompanied by Fletcher Henderson's Club Alabam Orchestra; Rosa Henderson and the Choo Choo Jazzers; Rosa Henderson accompanied by the Kansas City Five; Rosa Henderson accompanied by the Three Jolly Miners; Rosa Henderson accompanied by the Kansas City Four; Thomas's Devils; Thomas's Muscle Shoals Devils; Hociel Thomas acc. by Louis Armstrong's Jazz Four; Millard G. Thomas and his Chicago Orchestra; The Three Deuces; Rosa Henderson accompanied by the Three Hot Eskimos; Rosa Henderson accompanied by the Four Black Diamonds; Henderson's Happy Six Orchestra; Eddie Heywood and his Jazz Six; Edna Hicks accompanied by Fletcher Henderson's Orchestra; Edna Hicks accompanied by Lovie Austin and her Blues Serenaders; Edna Hicks accompanied by Porter Grainger's Sawin' Three; The Three Jacks; The Three Virginians; Andy Tipaldi and his Orchestra; Ben Tobier and his California Cyclones; John Tobin's Midnight Serenaders; Art Hickman and his Orchestra; Art Hickman's New York London Five; Hightower's Night Hawks; Alex Hill and his Orchestra; Alex Hill and his Sepians; Earl Hines and his Orchestra; Hitch's Happy Harmonists; Tram, Bix & Lang; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

The '70s was a period of major transition in jazz. Prior to this time, many jazz recordings focused on capturing live performances created in clubs. Musicians like Cannonball Adderley, John Coltrane, and Horace Silver preferred recording in the club setting in an attempt to capture the spontaneity and excitement of performing before live audiences.

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