Leicestershire Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  King Oliver's Dixie Syncopators; King Oliver's Jazz Band; King Oliver's Orchestra; 158th Infantry Band U.S. Army; Orchestra Jazz Columbia diretta dal M Edoardo De Risi; Arcadians Dance Orchestra; Arcadia Peacock Orchestra of St. Louis; Arcadian Serenaders; Arkansas Travelers; Eduardo Armani y su Orquesta; Armani-Cóspito Jazz Band; Louis Armstrong and his Hot Five; Orchestre Arthur Briggs and his Boys; Orchestre Billy Max; Orchestre Jazz Melody Six; Orchestre Jazz du Moulin Rouge; Orchestre Pollard's Six; Louis Armstrong and his Hot Seven; Louis Armstrong and his Orchestra; Louis Armstrong and his Savoy Ballroom Five; Louis Armstrong and his Sebastian New Cotton Club Orchestra; Louis Armstrong and his Stompers; Billy Arnold's Novelty Jazz Band; Billy Arnold et son Orchestre; Orchestre Syncopated Six; Orchestre The Playboys; Original Capitol Orchestra; Original Creole Orchestra; Original Crescent City Jazzers; Paul Ash and his Granada Orchestra; Paul Ash and his Orchestra; Paul Ash and his Pabst Blue Ribbon Casino Orchestra; Lovie Austin and her Blues Serenaders; Lovie Austin and her Serenaders; Austin and his Musical Ambassadors; Adolfo R. Avilés Jazz Band; Original Dixieland Jass Band; Original Excentric Band; Original Georgia Five; Original Indiana Five; Original Jazz Hounds; Bailey's Dixie Dudes; Bailey's Lucky Seven; Buster Bailey and his Rhythm Busters ; Buster Bailey and his Seven Chocolate Dandies; Buster Bailey and his "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

As rural music moved to the city and adopted new instruments, the polyphony typical of the African- American singing tradition found an expression in the style now identified as Early New Orleans Dixieland. It differed from the later Chicago Dixieland and the even later revival Dixieland in its instrumentation and rhythmic feeling. These first groups used a front line of a cornet, clarinet, and a trombone. The rhythm section was made up of banjo, tuba, and drums. The origin of these instruments was in the marching bands reflected the need to move while playing.

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