Middlesex Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  The Moonlight Revelers; Monette Moore accompanied by Clarence Jones' Paramount Trio; Monette Moore's Swing Shop Boys; Zackie Moore's Illi-Noisy Seven; Sam Morgan's Jazz Band; Maggie Jones accompanied by Henderson's Hot Six; Maggie Jones accompanied by Henderson's Hot Six; Richard M. Jones' Jazz Wizards; Richard M. Jones' Three Jazz Wizards; Jones' Paramount Charleston Four; Jimmie's Joys; Jimmie Joy's St. Anthony Hotel Orchestra; Lee Morse and her Bluegrass Boys; Lee Morse and her Southern Serenaders; Jelly Roll Morton and his Orchestra; Jelly Roll Morton's Incomparables; Jelly Roll Morton's Jazz Band; Jimmie Joy's Baker Hotel Orchestra; Jimmie Joy's Orchestra; Jungle Band; Jungle Kings; Jungle Town Stompers; Harry Junoir's Jazz Orchestra; Art Kahn and his Orchestra; Jelly Roll Morton's Jazz Trio; Jelly Roll Morton's Kings Of Jazz; Jelly Roll Morton's New Orleans Jazzmen; Jelly Roll Morton's Red Hot Peppers; Jelly Roll Morton's Six/Seven; Roger Wolfe Kahn and his Hotel Biltmore Orchestra; Roger Wolfe Kahn and his Orchestra; Kansas City Frank and his Footwarmers; Kansas City Four/Five; Kansas City Stompers; Kansas City Tin Roof Stompers; Whitey Kaufman's Original Pennsylvania Serenaders; Jelly Roll Morton's Steamboat Four; Jelly Roll Morton's Stomp Kings or Jazz Kids; Jelly Roll Morton Trio; Thomas Morris and his Orchestra; Thomas Morris and his Seven Hot Babies; Freddie Keppard and his Jazz Cardinals; Freddie Keppard's "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Up to World War II, the story in Europe (and particularly in Britain) was much the same. Jazz by and large remained a specialist music played by musicians who made their living working for dance bands then let their hair down in the small hours playing clubs. Records of British bands of the period (Ambrose, Lew Stone, Ray Noble, Roy Fox and others), like their American counterparts were often spiced with jazz solos, many being magnificent jazz in their own right. A dramatic and regrettable development in Britain post-war was the wholesale discarding of the pre-war musicians, who in the wake of crusading revivalism (which condemned commercially based music of any kind), and bebop (which set store by modernism above all), found themselves prematurely consigned to retirement.

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