Northampton Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Hattie McDaniels accompanied by Richard M. Jones's Jazz Wizards; Eddie Heywood and his Jazz Six; Edna Hicks accompanied by Fletcher Henderson's Orchestra; Edna Hicks accompanied by Lovie Austin and her Blues Serenaders; Edna Hicks accompanied by Porter Grainger's Sawin' Three; Art Hickman and his Orchestra; Art Hickman's New York London Five; Hightower's Night Hawks; McKenzie's Candy Kids; McKenzie-Condon Chicagoans; Red Mckenzie & his Mound City Blue Blowers; Red McKenzie and his Music Box; Red McKenzie and his Orchestra; Alex Hill and his Orchestra; Alex Hill and his Sepians; Earl Hines and his Orchestra; Hitch's Happy Harmonists; Hollywood Shufflers; Saxi Holtsworth's Harmony Hounds; Sol Hoopii's Novelty Trio; Red McKenzie with the Spirits Of Rhythm; McKinney's Cotton Pickers; McMurray's California Thumpers; Harold Menning and his Orchestra; Melody Kings; Hot Boys Band; Hotsy Totsy Boys; Hot Jazz Ernest Holzer; Hottentots; Paul Howard's Quality Serenaders; Jack Humphrey's London Band; Prince Albert Hunt's Texas Ramblers; The Melody Sheiks; Benny Meroff Orchestra; Memphis Jazzers; Memphis Jug Band; Memphis Pickaninny Band; Hunter's Serenaders; Alex Hyde and his New York Orchestra; Alex Hyde's Original New Yorker Jazz Band; Jack Hylton's Kit-Cat Band; John Hyman's Bayou Stompers; Indiana Sycopators; Cliff Jackson and his Crazy Cats; Memphis Stompers; Mezz Mezzrow and his Orchestra; Mezz Mezzrow and his Swing Band; Mezzrow - "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

In this era, which began in 1947, many instruments were used in jazz for the first time. Softer-sounding instruments, unamplified, created a different mood from that expressed earlier. The G.I. Bill made schooling possible for many jazz players, which encouraged experimentation in jazz that had been previously ignored: new meters, longer forms, and explorations in orchestration. Longer forms were also made possibly by the introduction of long-playing records.

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