Shropshire Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Mary Ann McAll ; Willie Coulter and his Band; Ida Cox accompanied by Lovie Austin and her Blues Serenaders; Ida Cox and Lovie Austin; Ida Cox and Papa Charlie Jackson; Ida Cox accompanied by her Five Black Spells; Ida Cox accompanied by the Pruitt Twins; Ida Cox and her Allstar Band; Maxine Sullivan ; Peggy Lee ; Sylvia Syms; Adelaide Hall ; Annette Hanshaw ; Ida Cox and her Allstar Orchestra; Ida Cox accompanied with the Coleman Hawkins Quintet; Rosetta Crawford accompanied by King Bechet Trio; Rosetta Crawford accompanied by James P. Johnson's Hep Cats; Wilton Crawley and his Orchestra; Wilton Crawley and the Washboard Rhythm Kings; Charles Creath's Jazz-O-Maniacs; Connee Boswell ; Ella Fitzgerald ; Ethel Waters ; Helen Humes ; Helen Ward ; Katie Crippen accompanied by Henderson's Novelty Orchestra; Fred Culley and his Royal York Hotel Orchestra; Dabney's Band; Ford Dabney's Syncopated Orchestra; Dan and Harvey's Jazz Band; Dave's Harlem Highlights; Jasper Davis and his Orchestra; Ivie Anderson ; Josephine Baker ; Lee Wiley ; Mabel Mercer ; Martha Tilton ; Johnny De Droit and his New Orleans Orchestra; Bob Deikman Orchestra; Deppe's Seranaders; Detroit Melodists; Devonshire Resturant Dance Band; Harry Dial's Bluesicians; Diamond King's Jazz Band; Mildred Bailey; Annie Ross ; Annie-Marie Moss ; Betty Carter ; Carmen McRae ; Carroll Dickerson's Savoy Orchestra; Carroll Dickerson's Savoyagers; Dixie Boys; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Like bop, fusion did not occur without controversy. As jazz was establishing its legitimacy, it was taking a risk by fusing with rock. Rock also represented a generational division in the American profile. It accompanied the emergence of the post- World War II baby boom to adolescence. It was the first associated exclusively with the young generation and worked as a banner distinction. Its further association with the social and political polarity of the 1960s tended to reinforce the generation lines. Jazz criticism at that time was founded in the swing and, to a lesser extent, the bop traditions. Rock fusion represented a commercialization of an emerging American art form. As the popularity of rock was carried by the baby boom into the adult listening market, its possible fusion seemed guaranteed.

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