South West England Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  John Williams' and his Memphis Stompers; Blythe and Clark; Jimmy Blythe and his Ragamuffins; Blythe's Owls; Blythe's Sinful Five; Blythe's Washboard Band; Blythe's Washboard Ragamuffins; James Boucher et son Jazz; Leona Williams and her Dixie Band; Ralph Williams and his Rainbo Orchestra; Te Roy Williams and his Orchestra; Williamson's Beale Street Frolic Orchestra; Edith Wilson and her Original Jazz Hounds; Bogan's Birmingham Busters; Eric Borchard's Atlantic Jazz Band; Eric Borchard's Jazz Band; Borbee's Jass Band; Boston Orchestra; James Boucher et son Jazz; Perry Bradford and his Gang; Lena Wilson accompanied by her Jazz Hounds; Lena Wilson accompanied by Johnny Dunn's Jazz Hounds; Lena Wilson accompanied by the Jazz Masters; Lena Wilson accompanied by Conaway's Rag-Pickers; Lena Wilson accompanied by Perry Bradford's Jazz Phools; Perry Bradford's Jazz Phools; Brady's Clarinet Band; Arthur Briggs' Savoy Syncopators Orchestra; Mart Britt and his Orchestra; The Broadway Bellhops; Harvey Brooks Quality Four; Bessie Brown and her Jazz Band; Lena Wilson accompanied by Fletcher Henderson's Orchestra; Lena Wilson accompanied by the Nubian Five; Windy City Jazzers; Winegar's Pennsylvania Boys; Wolverine Orchestra; Bill Brown and his Brownies; Lillyn Brown and her Jazzbo Syncopators; Brown and Terry's Jazzola Boys; Tom Brown's Band From Dixieland; Brownlee's Orchestra of New Orleans; Merritt Brunies and his Friars Inn Orchestra; Frank Brunch and his Fuzzy Wuzzies; Sam Wooding and "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

The term Afro-Latin covers a huge variety of music, resulting from the combination of elements of African styles with the Spanish, Portuguese, and even French cultures transplanted to South and Central America. The blend was achieved earlier and more thoroughly than any such hybrid in North American music before the 1970s - indeed, watered-down South American music was being successfully exported to the USA (and Europe) from the time of the tango in the l910s.

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