the Home Counties Quartets

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The names of Jazz Quartet

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Zutty Singleton Trio; Frank Guarente's World Known Georgians; Bill Haid's Cubs; Halfway House Orchestra; Fred Hall's Jazz Band; Fred Hall and his Orchestra; Fred Hall and his Sugar Babes; Al Hammett and his Ambassadors' Orchestra; Sioux City Six; Sissle and Blake; Noble Sissle and his Sizzling Syncopators; Noble Sissle and his Orchestra; Noble Sissle and his International Orchestra; Johnny Hamp's Kentucky Serenaders; Johnny Hamp and his Orchestra; Henry Halstead Orchestra; Fred Hamm and his Orchestra; Fred Hamm and his Collegians; Handy's Orchestra Of Memphis; Handy's Memphis Blues Band; Noble Sissle's Swingsters; The Six Black Diamonds; Six Brown Brothers; The Six Hottentots; The Six Jolly Jesters; Handy's Orchestra; W.C. Handy and Orchestra; The Happy Six; Lil Hardaway's Orchestra; The Harlem Footwarmers; Harlem Hot Chocolates; Harlem House Rent Stompers; Abe Small and His Melody Boys; Bessie Smith accompanied by her Down Home Trio; Bessie Smith accompanied by Henderson's Hot Six; Bessie Smith accompanied by Buck and his Band; Bessie Smith and her Band; Harlem Trio; Dave Harman and his Orchestra; Monk Hazel and his Bienville Roof Orchestra; Lucille Hegamin and her Blue Flame Syncopaters; Lucille Hegamin and her Bang-Up Six; Lucille Hegamin and her Dixie Daisies; Lucille Hegamin accompanied by Clarence Williams and Band; Bessie Smith and her Blue Boys; Clara Smith and her Jazz "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

The roots of cool jazz can be traced back to various earlier styles, as well as a direction that trumpet player Miles Davis pursued during the late 1940s. After leaving saxophonist Charlie Parker's group in 1948, Davis became intrigued with developing new directions in jazz. He became associated with other New York musicians intent on combining the excitement and spontaneity of bebop with lush orchestrated arrangements.

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